HAIR at the Movies Part 22: Bicentennial Man (Chris Columbus 1999) – Never Too Old

Bicentennial Man 1999

Bicentennial Man doesn’t ask whether machines can think—it asks whether we’re willing to recognize humanity when it doesn’t arrive in flesh. Andrew becomes human not through upgrades, but through creativity, love, vulnerability, and the courage to risk loss. His final choice reveals the film’s quiet truth: mortality gives meaning, and shared fragility makes connection real. The question isn’t whether AI can become human, but whether humanity itself is something we’re willing to honor beyond biology. ⏳🤖❤️

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HAIR at the Movies Part 9: Westworld (Michael Crichton 1973) – When Fantasy Removes the Mask

Westworld 1973

Westworld isn’t really about robots rebelling—it’s about what humans become when consequences are removed. Built as a playground for desire, domination, and fantasy, the park reveals how quickly empathy erodes when accountability disappears. As artificial beings are treated as objects for pleasure, the film asks an unsettling question that still echoes today: when we suspend empathy in simulated worlds, is it the machines that malfunction… or us? 🤠🖤

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